ON STAGE
Current performances and ongoing research across works
KEEPERS
*In-rehearsal with Piper Francis for Hand2Mouth New2You festival.
A devised movement performance set inside a functioning lighthouse where rituals continue despite an uncertain purpose. Built through repetition, physical labor, and relational attention, KEEPERS explores vigilance, signal, and shared listening.
March 21st, April 4th 2026 (7:30 pm) @ PICA, Developed for Hand2Mouth NEW2YOU festival Tickets
April 12th, April 18th (2:30 pm) @ 2110 Theatre for Fertile Ground Festival
MorPhoLogY
*In development with Sora Sado, Jason Okamoto and Piper Francis for Fertile Ground Festival ‘26.
An interdisciplinary performance exploring how language begins through movement, calligraphy, and live sound. Multiple artistic disciplines approach the same phenomenon, allowing expression to emerge through action, mark, rhythm, and listening.
April 19 (2:30pm), April 21 (7:30pm) @ 2110 Theatre for Fertile Ground Festival
New Collaboration with Jason Okamoto
A new live performance collaboration investigating shared responsiveness between movement and sound, created for the Northwest Butoh Festival.
May 15, 2026 — Portland, OR
IN DEVELOPMENT
Harvest of Woman
*In the planning stage for the 4th iteration planned for the Fall of 2026 at Portland, Oregon.
A movement-based performance and living installation exploring archetype, labor, and transmission through embodied ritual. Developed through residencies and public showings, the work continues to evolve through collaborative research and the integration of a film component, expanding its sensory world.
KEEPERS
Creation continues through rehearsal-based devising, physical scores, and relational attention. The work develops through repetition, minimal materials, and embodied task structures that investigate vigilance, signal, and shared perception.
The Place I’ve Never Been
A developing score-based solo exploring lineage, migration, and the labor of endurance. Two tactile scores shape the work: a weighted braid addressed as partner and a rope that tests distance, connection, and return. The piece unfolds through physical labor: handling, binding, release, pull, and yield — allowing meaning to emerge through action rather than narrative.
Work-in-progress version in development (2026)