As I develop and share my work, I care not only about the piece itself but about how and where it lives—who gets to see it, touch it, shape it. I believe in building work that grows within a community, not above it. I’m interested in creative exchange that’s rooted in curiosity, care, and mutual respect. I want to collaborate with artists across disciplines, cultures, and lived experiences—so that our work together carries more than just one voice or vision.
My relationship with the audience is not about presentation, but presence. I want them to feel close—physically, emotionally, energetically. My work often creates quiet, immersive environments where spectators are not just watching, but sensing, remembering, recognizing something in themselves.
I’m drawn to spaces that make room for risk, accessibility, and emotional honesty. I believe that culture, language, and identity should be entry points—not barriers—and that proximity to opportunity matters. I want to continue developing work that invites conversation, creates room for others, and supports a more interconnected artistic landscape.
Harvest Of Woman
Harvest of Woman - is a movement-based performance that explores the hidden labor women carry—physical, emotional, and generational. The experience begins with an immersive clay installation, where audiences walk through a space shaped by handmade vessels, elemental sound, and shifting light. From there, the performance unfolds through visceral physical storytelling and a central fable that ties each section together. Clay becomes both material and metaphor—marking what has been touched, carried, and survived. This is not spectacle; it’s an invitation to witness what usually stays buried.
*Currently in development through a residency at CoHo Productions.
Wailer
Wailer is a movement performance that explores the primal cry for freedom, inspired by the imagery of a bird trapped yet yearning to soar. Through raw, emotional movement, it delves into themes of death, release, and the fragile tension between surrender and survival.
Far From Home
Far From Home is a collaborative performance created with Julia Rahmanzaei that explores migration, displacement, and identity. Blending movement, text, and physical imagery, the piece traces the emotional terrain of those caught between cultures—searching for home, struggling to belong, and confronting the silence of isolation. It’s a quiet, embodied reflection on what it means to live far from the place you once called home.
Old Man
Old Man is a movement-based theatrical piece that explores aging, memory, and the slow erosion of time. Created in collaboration with Hank Logan and Jason Okamoto, and inspired by my father’s experience as an immigrant, the work centers on an elderly man confronting the quiet weight of his past. Through minimal text and physical storytelling, the piece invites audiences into the fragile, often overlooked space between growing old and feeling out of place.
Lorca Woman
Lorca Woman is a creative exploration from my Master of Fine Arts thesis at the University of Washington, inspired by Federico García Lorca's "The House of Bernarda Alba." This project intricately portrays the lives of six women, each character a representation of different societal and familial pressures. Using minimalist stage design with innovative lighting and sound, Lorca Woman delves into themes of identity, resilience, and the quest for self-acceptance within oppressive traditional confines. This piece reflects my exploration of character and atmosphere in the realm of theatrical performance.