I make work that invites people in.
Not to watch from the outside, but to sense, to feel, to shift alongside it. I devise original performances from the ground up—through body, image, sound, and multilingual text. My foundation is in theater: acting and movement are the crafts I’ve devoted most of my life to, and they remain the ground I return to in every process.

I collaborate across disciplines—movement, music, video, design—and across lived experience. What matters is the trust we build while making. My work doesn’t aim to speak for others, but to create space for something shared to emerge.

I care deeply about how the work is received—about the people who enter the space with me. I try to create conditions for connection: a shared emotional language, a quiet thread between us. I don’t want the audience to watch from afar. I want them to feel held, included, part of something tender and real. Not safe in the sanitized sense—but safe to feel, to respond, to remember.

I believe performance can be a kind of conversation—slow, physical, and porous. I’m interested in work that creates openings, not declarations. Work that lives inside communities, not above them. That invites risk, care, and honesty. That listens back.